Course Description


Course Description
This course focuses on the advanced operation of Pro Tools in a professional post production environment. It includes technical insights into both Pro Tools hardware and software.
Who Should Attend?
This course is designed for end-users with intermediate Pro Tools post-production skills who want to gain the highest level if technical and operational Pro Tools knowledge.
Course Objectives
At the end of this course, you will be able to:
- Configure Pro Tools|HD systems for Post Audio
- Troubleshoot Pro Tools|HD systems in the Post environment
- Synchronize Pro Tools|HD with Linear Video
- Efficiently control Pro Tools via a surface and through key commands
- Execute Post production recording techniques
- Execute Editing workflows
- Design sound effects using plug-ins
- Implement advanced routing and mixing techniques
- Use fundamental mixing architectures & techniques in post production
- Mix with Satellite Link
- Use advanced layback techniques
Prerequisites:
- Practical working knowledge of Mac OS X
- Avid Pro Tools 101: Introduction to Pro Tools class or equivalent experience
- Avid Pro Tools 110: Essentials of Pro Tools class or equivalent experience
- Avid Pro Tools 201: Pro Tools Production Essentials class or equivalent experience
- Avid Pro Tools 210P: Post Production Techniques class or equivalent experience
- Prior to taking the Pro Tools Music Expert certification exam, students must have successfully completed the above 200-series courses and acquired Avid Pro Tools Music Operator certification.
Course Outline:
Note: The curricula below comprise activities typically covered in a class at this skill level. The instructor may, at his/her discretion, adjust the lesson plan to meet the needs of the class.
Lesson 1: Pro Tools HD Hardware Configuration
- Setting Up a Pro Tools HD System
- Configuring Avid Peripherals
- Audio Interface Calibration
- Verifying Installation of Additional Pro Tools Software Options
- Operating System Optimization
- Non-Administrator (Standard) Accounts
- Pro Tools Session File Interchange
Lesson 2: Troubleshooting a Pro Tools System
- Using DigiTest to Identify Hardware Problems
- Updating Avid Firmware
- Deleting Pro Tools Setting Files
- Deleting Database Files
- Understanding Voice Allocations
- Playback Engine Advanced Options
- Advanced Pro Tools I/O Setup
- Audio and Video Pull Options
Lesson 3: Synchronizing Pro Tools with Linear Video
- Configuring the Hardware and Software for Linear Video Sync
- Clock Versus Positional Reference
- Setting Frame Rates
- Setting the Session Start Time
- Preparing for Online Recording
- 9-Pin Control of Pro Tools
- Using Pro Tools 9-Pin Serial Machine Control
- Machine Control Shortcuts
- Machine Control Error Messages
- Recording Slaved to and External Timecode Source
- Spot Mode in Post Production
- Working with Time Stamps
- Generating a Timecode Window Burn
Lesson 4: Tactile Control of Pro Tools
- Parts of the Keyboard
- Modifier Keys
Lesson 5: Post Production Recording Techniques
- Third Part Support for Avid PRE Communications Protocol
- Controlling PRE from Pro Tools
- Recording Foley
- Recording Foley Using MIDI
Lesson 6: Editing Workflows
- Examples of Post Production Editing Workflows
- Sound Library Searching and Management
- Sound Effects Creation and Design Using Plug-ins
- Sound Effects Creation and Design Using Elastic Audio
- Pro Tools Advanced Editing Shortcuts
- Grouped Playlist Synchronization
Lesson 7: Pro Tools HD/HDX Mixing Concepts
- Bit Depth, Dynamic Range, and Dither
- Comparing Different Pro Tools Mix Engines
- Fixed-Point Versus Floating-Point Processing Overview
- Comparing Pro Tools|HD Versus HDX Versus Native Mixers
- Common Mixing Errors When Moving from Pro Tools Host-Based to Pro Tools|HD
- DSP-Based Mixers and DSP Usage
- Dither
- The Pro Tools HD Mixer
- Looking in More Detail: An Audio Signal's Tale
- Appropriate Use of Native Plug-Ins
Lesson 8: Advanced Mixing Techniques
- Common Mixing Preferences
- Advanced Delay Compensation
- Mix Bus Techniques
- Master Faders Versus VCA Masters
- VCA Master Automation
- Latch Prime
- Writing Static Automation Mixer Settings
- Capture Mode and Punch Capture
- AutoJoin Mode
- Miscellaneous Automation Techniques
- Automation Workflows
Lesson 9: Mixing Using Satellite Link
- Large-Scale Mixing Techniques Using Satellite Link
- Pro Tools HD Satellite Link Mixing Scenario
- Configuring the Satellite Link Network
- Satellite Linking Preferences
Lesson 10: Advanced Layback
- Project Offset Options
- Linear Layback Workflow
- Speed Corrections
- Creating Printmaster Stems Using Pro Tools 9-Pin Remote Deck Emulation
- Creating a Machine Track Arming Profile
- Using Satellite Link with Machine Control
Cancelling an Open Enrollment Registration
Cancellation policy:
If notice is given 15 or more calendar days before the start of a class, the student may receive a full refund less a $100 administrative fee. If notice is given less than 15 calendar days no rescheduling or efunds are permitted.
Rescheduling Policy
If notice Is given 15 or more calendar days before the start of the class a student may reschedule . A student can reschedule a class up to two (2) times. Additional reschedules will not be allowed.
No Shows if a student does not attend a scheduled session, there will be no refund or rescheduling permitted. Payment is forfeited. FMC reserves the right to cancel classes with insufficient enrollment or in other circumstances. FMC will endeavor to give as much advance notice as possible of any change to the schedule. FMC shall not be responsible for any incidental or consequential loss arising whatsoever.